I n spring , a young teenage boy went to see a local nurse with embarrassing symptoms. He was a resident of Conyers, a quiet upper-middle-class town in a slice of all-American suburban Atlanta. Holly Hunter grew up there. The nurse asked the boy about his sexual history. What he told her suggested widespread local promiscuity. Around youngsters were involved, some aged just 12, some who had racked up as many as sexual partners. I wanted to get out of there, I was doing drugs with my friends. So, what happened? How do you go from being regular teenage kids, who are just bored, to that?
‘Bam, no more syphilis’
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In Biarritz , teenager Alex temporarily lives alone and later with his best friend Nikita while his mother is abroad for work. In his house he organizes sex parties called bang gangs with other teenagers, also including recreational drug use. Videos of the parties are posted on a password-protected website.
There are certain "where were you when" events that, if not always completely life-altering, are significant: the royal wedding, the overturning of Proposition 8, Kanye West crashing Taylor Swift's awards show acceptance speech. It's not the type of thing anyone would forget easily, but for Husson the story felt personal as well as shocking. That news story is now the basis for Husson's first feature film, Bang Gang: A Modern Love Story , a sun-soaked, visually resplendent coming-of-age story set in the midst of an oppressive heatwave. Bang Gang focuses on a group of five teenage friends. The two girls are George and Laetitia, a sexually aggressive skater and a mousy introvert who make unlikely BFFs. Their male counterparts are equally dissimilar, at least initially — by the time George's after-school swinger parties take off, it's no longer entirely clear who's the slut, the nerd, or the player. This — and Husson's determination not to cast moral judgement upon her characters — is what makes Bang Gang feel more honest and intimate than other scandalous portraits of sex-driven youths. The film has drawn comparisons to Larry Clark's Kids , but perhaps unreasonably. Both stories are products of the times in which they were written, and Husson's post-internet, post-AIDS crisis setting allows her to go in a completely different direction. The film is based on a true story.